Drama

Faculty staff

Mrs E Callender (Head of Department)

Mrs A Turley (Teacher of Drama)

Why do we do Drama at Herschel Grammar School?

"Imagination is more important than knowledge. For knowledge is limited, whereas imagination embraces the entire world, stimulating progress, giving birth to evolution." - Albert Einstein  

In Drama, pupils will develop “life and employability skills” which will support them in any chosen future career. This includes communication, team work, imagination, creativity, self-motivation, adaptability and organisation through a variety of topics explored practically. Drama is ultimately the study of human behaviour and so students will interpret scripts, stimuli and scenarios with other group members and will enjoy trusting others and learning devices and theatre skills. During the course expressive skills will develop, assisting pupils in all walks of life and supporting them into becoming well-rounded members of society and in support of the Herschel Vision and Values. 

Alongside Drama in the curriculum, pupils can get involved in school productions, Drama showcases, clubs and interform events, as actors, dancers, choreographers, set builders or designers, make-up artists, or as members of a stage management team. 

HERSCHEL DRAMA VISION 

Intent: 

Transferrable skills 
Honour of traditions  
Equal opportunities 
Appreciation 
Team work 
Responsibility 
Enjoyment 

Implementation: 

Educational trips 
Varied schemes of works
Educational workshops 
New Views Scriptwriting schemes as part of the National Theatre 
Theatrical productions 
Shakespeare Schools Festival 

Impact: 

Happiness & wellbeing 
Understanding 
Mindfulness 
Assessment  
Narrative 
Skills to transfer to any workplace 

Facilities 

At Herschel Grammar we are lucky to have a purpose-built Drama Studio that offers students the space and resources to fully explore Drama. The studio consists of performance mirrors, moveable stage blocks and staging, moveable stage flats, shadow screen and mobile curtains. There is also a dedicated wardrobe with a variety of costumes, furniture and props. At the end of 2022 we had a £28,000 update to our lighting facilities and are very proud of our new rig with over 20 LED fixtures including: 9 x Elumen8 LED Fresnels, 2 x ADJ Encore profile Pro WW, 4 x ADJ Encore ZL LED Par Cans, 4 x Chauvet DJ Slim PARS and 2 x Elumen8 Kudos 350z moving fixtures. For this, we use a Zero88 FLX S24 lighting desk with up to 48 channels. There is also use of a fog machine to help create interesting lighting textures and effects. Students are offered opportunities throughout Key Stage 3 and Key Stage 4 to learn how to operate the lighting rig and be assessed within a Design role.

Time allocation 
At Key Stage 3, students are scheduled 2 x 1 hour classes of Drama in a 2 week timetable. At Key stage 4 this goes up to 5 hours and up to 10 hours at  key stage 5.

 

How to be excellent in Drama

Working with other people in a group

  • Listen to other people
  • Put forward your ideas
  • Cooperate with others
  • Help to make the Drama work well

Creating a role

  • Think about the way the character would move
  • Consider how she/he might be feeling
  • Choose the words she/he says carefully
  • Decide how she/he responds to other characters

Using Space and Movement

  • Make your movements appropriate to the task
  • Think about how you use the area you are in
  • Remember to use levels where necessary
  • Create the message through the movement

Finding solutions

  • Solve problems by using a different technique
  • Talk positively in your group about any difficulty
  • Use various Drama forms
  • Work as a team

Presenting your work to others

  • Be dynamic and energetic in performance
  • Concentrate throughout the presentation
  • Use your voice and the space effectively
  • Be aware of your audience

Discussing the Drama Work

  • Make positive and constructive comments
  • Observe the use of Drama Forms
  • Consider how the meaning is made clear
  • Comment on how effectively the piece worked

Writing and responding to Drama work

  • Present your work well
  • Illustrate where appropriate
  • Reflect on the issues
  • In role writing should be true to the character

Key Stage 3 Skills - Year 7

By the end of Year 7 students should:

Group Work: Be able to

  • Work in mixed sex and mixed ability groups
  • Work co-operatively with others
  • Listen attentively

Improvisation: Recognise and respond to

  • Spontaneous
  • Prepared
  • Whole class
  • T.I.R

Role-play: Create and sustain appropriate roles using

  • Language
  • Movement
  • Gesture

Response and Reflection: Be able to reflect on

  • A variety of stimuli
  • The process, through discussion
  • The product, through evaluation

Performance: Perform and spectate with concentration

  • Individually
  • In a pair
  • As part of a group
  • As a member of an audience

Key words and techniques

  • Freeze frames
  • Role play
  • Scene
  • Blocking
  • Sound collage
  • Thought-tracking
  • Sculpting
  • Narrator
  • Flash-back
  • Hot-seating
  • Split-stage
  • In-role writing

Key Stage 3 Skills - Year 8

By the end of Year 8 students should:

Group Work: Be able to

  • Work spontaneously in whole class improvisation
  • Shape and develop the Drama with autonomy

Improvisation: Be able to

  • Operate in improvisations with dramatic awareness

Role-play: Be able to

  • Create and sustain a variety of roles
  • Select and control movement and space

Response and Reflections: Be able to

  • perform and spectate with sustained concentration consolidating Year 7 performance skills

Key words and techniques:

  • Monologue
  • Concept of stereotype
  • Mood
  • Atmosphere
  • Focus
  • Tension
  • Mime/Mask/Movement
  • Realism
  • Movement collage

Key Stage 3 Skills - Year 9

By the end of Year 9 students should:

Group Work: Be able to

  • Show awareness of equal opportunities within the group
  • Demonstrate tolerance to others

Improvisation: Be able to

  • Select and apply skills effectively and with autonomy

Role-play: Be able to

  • Stimuli
  • Process
  • Performance
  • Issues

Response and Reflection: Be able to reflect creatively and thoughtfully on

  • Stimuli
  • Process
  • Performance
  • issues

Performance: Be able to approach performance with dramatic understanding of

  • Form
  • Skills
  • Style and genre

Key words and techniques:

  • Reportage
  • Stylised and symbolic movement
  • Non-realistic form
  • Dream sequence
  • Walk in freeze
  • Word collage
  • Forum theatre
  • Physical theatre
  • Stanislavskian Explorative Strategies
  • Brechtian Explorative Strategies

KS3 Film & TV Workshop

By Yuvraj Dave (Year 7)

On Tuesday 7th June 2022 we were treated to a Film and TV workshop. Everybody had loads of fun whilst also learning many skills in the industry of acting for film. The workshop included students from Years 7, 8 & 9 and was run by a Film Director called Sophie from MN Academy who are based in central London. MN Academy teaches children how to be in front of the camera as well as the operations required behind camera and their talent is showcased in the form of short films made by the company. Sophie was very experienced and taught us how to perform to the camera in a believable way through the use of a script where two characters discussed a bank robbery in a cafe. We also explored how to ‘ad lib’ or “riff” our lines in order to help with character relationships and believability as well as how to perform as an “Extra” in order to make the scene appear real. All of the participants left having enjoyed themselves. I would like to thank Mrs Callender and Sophie from MN Academy for the exciting opportunity to participate.

Frantic Assembly Theatre Company visit GCSE drama students

By Devanshu Goel

Over time, the main forms of media people consume have evolved. Nowadays people opt for TV Shows or Movies – where every frame is puppeteered by the Director to rot in a DVD or Blu-Ray over years and decades. They mostly consist of a naturalistic style, where everything is meant to be a mirror to reality. In many ways, movies are a lot easier to create than plays or pieces of theatre as they do not pose the challenge of the audience being able to see everything on “screen” and they do seem to have more visually appealing elements, but after a while, these engineered perfections can get quite boring.  

That’s where Frantic Assembly comes in. 

Frantic Assembly (Frantic for short) is a UK-based theatre company that specializes in Physical Theatre. They have done a variety of different shows acrosss the UK, one of those being The Curious Incident of The Dog In The Night-Time, a play that close to 100 pupils across Year 7 and 8 went to go attend in June 2022. “The Frantic Method” differs from the traditional Stalinist director-actor dynamic and instead utilizes the creation of particular sequences or scenes to be done as an ensemble effort, with everyone having a role in the development. Year 10 GCSE Drama Students and next year’s Year 9 GCSE Drama Students experienced this first hand when a practitioner from Frantic, Michelle Edwards, came in to conduct a 4 – hour long workshop.  

Michelle wasted no time getting us up on our feet and had us do a thorough warm-up to both get our muscles working and get us out of our heads and allow us to be freer. We paired up and got started with a sort of trust-building exercise where our partner would lead us around the room with their hand whilst we were blind - this introduced us to one of the key principles: Consistency of pressure. We did not waste much time at all and got onto some lifts where we applied the first principle along with the second – Give all your weight. It took some time for most people to allow themselves to do this but once they did things got rolling very quickly. We learned many different lifts such as pocket lifts, clamp lifts, wrap lifts, and even had a go at making our own. If you take a glance at the Herschel Twitter, you will see me (a 6 foot 2 individual) being spun around like a lightsaber during a lift specially designed for tall people. The energy in the room was non-stop, everyone was having fun and was focused on the task. I imagine this must’ve been a nice experience for the Year 9s as this was their first taste of what GCSE Drama had to offer and a nice change of pace from their Core Drama lessons, where lots of people don’t particularly want to be there. People who did want to be there, however, certainly were Ms Wood and Mrs Forrest-Smith.  

 We combined natural movement with lifts in with these things called “Squeeze Duets”. This is where it was all coming together, this Is what Frantic Assembly was all about – combining basic movement ideas and developing them to make something much more meaningful. We choreographed these pieces and then chose moments or movements that naturally exuded meaning and developed them to change the focus – creating raw, visceral emotion with nothing but ourselves and music. The whole workshop really opened my eyes to forms of devising drama and gave me a lot of ideas to include in my final GCSE component 1 performance (which will be performed at the end of June). In our performances, we only have about 15 minutes of time to work with, and to develop character and emotion purely through dialogue as you see in Movies and Television is boring and ineffective. I think the ideas behind squeeze duets and lifts could be used a lot more instead of showing abstract emotions and such. Transitioning is also something I think Frantic Assembly could help with as (in the words of both Michelle and Mrs. Callender) “Blackouts, chair shuffling is boring!!!”. 

All in all, it was a very positive experience. If anyone ever has a chance to go watch a Frantic show I would highly recommend it as I have been and it was BRILLIANT.  The workshop has certainly taught me valuable lessons as well as provided me with a very enjoyable experience as it has for everyone else. Thanks! 

herscheldrama

The Importance of Drama: Transferable Skills

Do schools kill creativity? | Sir Ken Robinson | TED

Keep up-to-date with all things Drama at Herschel through:

@DramaHerschel (X/Twitter)

OR

@HerschelDrama (Instagram)

OTHER GOOD PLACES TO LEARN ABOUT CAREERS IN THEATRE AND FILM

Getintotheatre.org (try the ‘not sure where to start’ quiz!)

TheStage.co.uk

Nationaltheatre.org.uk

Careersinfilm.com - look out for the careers quiz!

Screenskills.com

Intofilm.org

Pinewood studios careers

Also keep up to date with the latest shows, arts and cultural events through...

Timeout.com

 

Useful films...

Working in Theatre

Role of a Production Manager

Role of a Technical Director

 

…and don’t forget to talk to Mrs Callender or Mrs Turley for a detailed chat about your future career pathway.

Karaoke Club

Karaoke Club takes place every Tuesday lunchtime in the Drama Studio with Mrs Callender and is an opportunity for students to sing-along to their favourite tunes with added atmospheric lighting, costume and props. 

Drama Club

Drama Club takes place every Wednesday lunchtime and is run by Mrs Turley. Key Stage 3, 4 and 5 students are welcome to attend. In these sessions, students get an opportunity to explore improvisation, devising and scripts. Mini performances take place during the year both in school and within the local community.

Main School Production

A biannual event where all students have the opportunity to audition and participate in this whole school project. There are opportunities to also participate as part of the Tech-Team, learning how to work backstage, operate lighting and sound as well as support with costume,  hair, makeup, set and prop design. Previous productions have included “The Wizard of Oz” (2023), “A Christmas Carol” (2018), “Alice in Wonderland” (2017).

Coram Shakespeare Schools Festival

Coram Shakespeare Schools Foundation is a project run bi-annually at HGS where students get the opportunity to perform Shakespeare on a professional stage. Support is given through professional actor and director workshops and is a fabulous opportunity for students to network with other schools involved. Our most recent production was of Macbeth, directed by Year 12 student Sethan Yohananthan. It was performed at Watersmeet Theatre in Rickmansworth. For more information please go to https://www.shakespeareschools.org. In previous years we have also taken part in National Theatre Connections (https://www.nationaltheatre.org.uk/learn-explore/young-people/connections ) and the National Theatre New Views course for young scriptwriters ( https://www.nationaltheatre.org.uk/learn-explore/schools/new-views/)

Theatre trips

The Drama Department runs a variety of theatre trips throughout the year. Some of our most recent have included “Everyone’s Talking about Jamie”, “Blood Brothers”, “The Woman in Black” and Frantic Assembly’s “Metamorphosis”.

Year 9 Arts Faculty trip to Cornwall 

The Year 9 Arts Faculty trip is one of the most coveted trips to be on at HGS. Here students get the opportunity to spend four nights in Cornwall and participate in a variety of watersports activities including surfing, bodyboarding, paddleboarding, kayaking and coasteering. This is complemented alongside Art, Music and Drama activities such as theatre trips, sculpture workshops and musical workshops.

 

 

On this page we have shared some useful links to direct you towards further independent learning of Drama.

Year 7

Drama on BBC Bitesize

An example of Pantomime

Kabuki - all about Kabuki

Kabuki - How to perfectly execute a mie

Elizabethan Theatre

An Actor's Warm-Up | Voice

Year 8

Drama on BBC Bitesize

The World of Commedia dell'Arte

Commedia dell'Arte: Character Shape

Commedia dell'Arte: Language

Commedia dell'Arte: Emotion

An Introduction to Greek Theatre

Modern Interpretations of Greek Chorus

Creating Chorus: Building Choreography

Creating Chorus: Leading Exercise

Creating Chorus: Pace Exercise

Year 9

Drama on BBC Bitesize

An Actor's Warm-Up | Voice

History of Movement Direction

Frantic Assembly: Building Blocks for Devising

Creating Chorus: Building Choreography

Creating Chorus: Leading Exercise

Creating Chorus: Pace Exercise

Key Stage 4

Drama on BBC Bitesize

An Actor's Warm-Up | Voice

An introduction to Brechtian theatre

Bertolt Brecht and Epic Theatre

History of Movement Direction

Frantic Assembly: Building Blocks for Devising

Frantic Assembly Masterclass: Learning to Fly

Creating Chorus: Building Choreography

Movement Direction: Creating Character

Creating Chorus: Leading Exercise

Creating Chorus: Pace Exercise

Key Stage 5

An Actor's Warm-Up | Voice

History of Movement Direction

Frantic Assembly: Building Blocks for Devising

Frantic Assembly Masterclass: Learning to Fly

Creating Chorus: Building Choreography

Lighting

FLX S Series | Training from video 4 onwards ONLY

National Theatre

The school is also subscribed to National Theatre Drama online library, allowing students to watch full theatrical productions in their very own home. Please see Mrs callender or Mrs Turley for access details which are unable to be shared on the school website.